From 2018 to 2023 General Humanity conceptualized and carried out six General Humanity Labs uniting a transdisciplinary team of theorists, performers, musicians and dancers to conduct performative research and create multimedial, immersive, participative performances:
PanEros ~ audiovisual entanglements of bodies, voices, and a river (2023, TONALi, Hamburg) radicalized a queerfeminist critique of phallomania towards a call for an ambiental erotics involving all earthly beings.
EARTH PULSE / FUTURE EVE (2022, gallery hinterconti, Hamburg) contrasted the utopia of reattunment to the earthly pulse with the dystopia of transhumanism and artificial reproduction.
PEAK HUMANITY (2021, Kraftwerk Bille, Hamburg), supported by the Musikfonds e.V./Neustart Kultur), explored the future of humanity between mutation and extinction.
ANIMAL ANCESTOR (Goldbekhaus, Hamburg, 2020) investigated the relation of humans, animals and the invisible, drawing on Franz Kafka, Haitian voodoo and viral theory.
POSTIMAGE OPERAAA!!! (2019, Collegium Helveticum, ETH Zurich), co-produced and presented by Collegium Helveticum, an inter-university art-science think-tank, explored the image as a transspecies eco-relation of bodies, sounds, and movements.
IN THE MOOD FOR MUD (2018, Harom Hollo Theatre, Budapest), was a series of “actions” ranging from ballet to wrestling based on Donna Haraway’s stringfigures and Heinrich von Kleist’s theory of the mannequin.
GENERAL HUMANITY 